Welcome to one of Saint Germain Boucles de Seine’s Impressionist trails! This route takes you on a discovery of the landscapes that inspired the greatest painters, with reproductions of paintings installed where the artists would have set up their easels.
These itineraries are part of the great adventure of Destination Impressionism, between Normandy and Île-de-France, where museums, artists’ homes and emblematic sites celebrate this major pictorial movement.
Let yourself be guided along the narrow streets, paths and riverbanks, and experience a timeless interlude in the heart of the settings that have left their mark on art history.

A village surrounded by the royal towns of Saint-Germain-en-Laye and Marly-le-Roi, situated on the edge of the Marly state forest, L’Étang-la-Ville awaits you for a moment of culture and relaxation. Stroll through the cobbled streets of the town centre in search of Nabis reproductions at L’Étang-la-Ville. Immerse yourself in this world of yesteryear and let yourself be carried away by the bucolic landscapes…
Among the historical and architectural heritage still present, from the time of the Nabis in L’Étang-la-Ville, you can also discover:
The château of Chancellor Séguier, Minister of Justice under Louis XIII and Louis XIV, now the Hôtel de Ville,
The Cross and War Memorial near the church,
The Saint-Pierre de Montaigu fountain opposite the château, at the start of the allée de la Niche,
The washhouse is located in the former hamlet of La Montagne.
The Nabi movement
In the autumn of 1888, Paul Sérusier (1864-1927) brought back from Pont-Aven a small landscape painted under the direction of Paul Gauguin, which was to become the Talisman of a group of young painters formed at the Académie Julian in Paris: the Nabis, a name derived from Arabic and Hebrew meaning “prophets” or “inspired”.
These avant-garde artists at the end of the 19th century are now internationally famous: Maurice Denis, Pierre Bonnard, Paul Ranson (1861-1909) who gave his name to the Academy they founded together in 1908, Henri-Gabriel Ibels the “nabi journalist” and Auguste Cazalis.
They were soon joined by Édouard Vuillard, Ker-Xavier Roussel, Georges Lacombe (1868-1916), the “nabi sculptor”, and Aristide Maillol. Foreigners were not to be outdone, with the Dutchman Jan Verkade, the Dane Mogens Ballin, the Swiss Félix Vallotton and the Hungarian Jozsef Rippl-Ronai.
The Nabis offered their vision of the world through their painting, with its simple, uncluttered forms and straightforward flat tints of colour, breaking with the codes of Impressionism. Their compositions often refer to their respective appetites for esotericism and the occult.
“A word of advice, don’t copy too much from nature. Art is an abstraction. Draw it from nature by dreaming in front of it and think more about the creation than the result.”
Letter from Paul Gauguin to Emile Schuffenecker, Quimperlé, 14 August 1888
The movement was not to have a remarkable lifespan. After a few years, in 1900, the Nabis group dissolved and each went in different directions.
Orchards and remarkable views
The bucolic aspect of nature is paramount for the artistic movement: we see this on numerous occasions, such as with the work Les marronniers, by Ker-Xavier Roussel,
These orchards that inspired the Nabis in L’Étang-la-Ville, also play host to mythological scenes populated by nymphs and fauns, as Ker-Xavier Roussel illustrates in another of his paintings Dans le Verger à L’Étang-la-Ville. His happy world is detached from reality, animated by a mythology of fantasy.
Some architectural elements relating to the heritage present in the commune, sometimes blend into the bucolic landscapes. Ker-Xavier notably depicted the steeple of Sainte-Anne church in his Paysage avec l’église de L’Étang-la-Ville, circa 1907.
The church, still visible today in the centre of the village, was built in the 12th century and is now a listed historic monument.


A must to discover
Many works by Maurice Denis and his contemporaries can be discovered at the Musée Départemental Maurice Denis, located in Saint-Germain-en-Laye, in the former home of the artist himself, nicknamed “Le Prieuré”. This place steeped in history, which is at once a home, a studio and an inspiring garden, offers an intimate and authentic setting for plunging into the world of the Nabis and Symbolists.
Inaugurated in 1980 thanks to a generous donation from the Denis family, the museum was the very first establishment in France entirely dedicated to this artistic movement, even preceding the opening of the Musée d’Orsay in 1986. It brings together a remarkable collection of paintings, drawings, sculptures and decorative objects, not only by Maurice Denis, but also by other major figures in the Nabi movement, such as Paul Sérusier, Pierre Bonnard, Édouard Vuillard and Félix Vallotton.
The museum also gives pride of place to the artists of the Pont-Aven school, with works that illustrate the links between symbolism and post-impressionism, in a period teeming with artistic and spiritual research. By strolling through the rooms or in the garden surrounding the building, visitors can feel the peaceful and inspiring atmosphere that fuelled the creation of these innovative painters.